Nebraska - Eric Wilson


                                                  

      There had been a drowning at a small community pool in Nebraska.  It was 1944.  The pool manager was a woman, Mrs. Fisk, hefty in her one-piece black woolen swimsuit.  She had plunged right in, attempting a rescue.
    Perhaps the young man had had some sort of seizure; the cause of his death remained unclear.  In the heat of summer, people still went to the gathering place of the pool.  Some were uneasy now, on their guard; not everyone could forget.  But the ice cream still melted down the sodden waffle cone over your fingers, zinc oxide was still smeared across your nose.
    It was a month or so after the drowning.  The small boy in the locker room was only six.  He had gone to the pool with his mother, who couldn’t come into the changing quarters with him.  But then all he had to do was remove his clothes and pull on his tiny suit.  He could manage that by himself.
    When the small boy froze, at first no one noticed.  Then the men became concerned, even the tanned toweling-off teens, their skin surprisingly white where it had been hidden by their swimsuits.  They all looked at the small boy, still immobile.  For a moment they attributed it to fear, which must have taken firm hold after the drowning.  But when they called out to him, the boy realized he was being watched and tore himself away.  
    I was still only six, but something deep inside me had just been awakened.  It was the first time I had ever seen older boys naked, in all their splendor.  I was so spellbound by the sight I simply could not move.

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Eric Wilson had a Fulbright Grant to Berlin and taught German and Swedish at UCLA and Pomona College.  He’s worked as a freelance translator, as well as an escort-interpreter for the State Department (my assignments included members of the German, Austrian and Swedish Parliaments and a poet from the Faeroe Islands) and for the German FBI (Bundeskriminalamt).  For just over 30 years he taught fiction writing workshops at the UCLA Extension.  My work has appeared in the Massachusetts Review, Epoch, Carolina Quarterly, Witness, Boundary 2, German Quarterly, and the O. Henry Prize Stories anthology.