Pack it up-Raymond Gaston


“Pack it up. Quick now. Come on. Pack that too. We ain’t leaving anything behind we can help.” The truck filled fast— the back of the ford dipping low on the shocks under the weight. It was a strange assortment of boxes and naked objects sticking out from between cardboard like junk trapped twixt teeth. Dez slapped the gate shut and stepped back, and his older brother came out of the house again.
“That everything’ll fit?”
“Think so,” Dez replied. His brother nodded, turned and locked the door. He walked to the driver’s side and Dez got in the cab beside him. The engine cranked and they pulled away from the curb.
“One last trip should do it, don’t you think?” His brother asked.
“Uh huh,” Dez replied.
“Yeah. One more trip. We can do that before tomorrow afternoon, right?’
“Sure.”
It was midnight when they settled, the front wheel against the curb in front of their mother’s house. One light inside was on, in the den, where they were stacking the truckloads they brought every few hours. Mom’ll be pretending to sleep, Dez thought, knowing she wouldn’t come out to watch, couldn’t bare to see it all carried in.

Dez sat on his old bed, curling round him—him seeming too heavy now for it—and it too ancient. Sweat from earlier was drying on his back, but he didn’t want to shower, he was too tired, almost too tired to even lie down. Somehow too tired to sleep. Last load tomorrow, he told himself, last load—but then what? He would leave that last load there, move it all back in. Dez was shivering now, so he pulled his shirt off, flopped onto his side and pulled his blanket—still the Space Jam one—over himself.
Back then this room had been enough— more than enough. And the house had seemed as good as living could get. Never another thought about it. But now. When he and Ricky moved in together their mom came to the house, brought them a bottle of vodka, and drank it with them in the living room. Just one couch in there, but they all piled on it happily—laughing—he remembered laughing so much that night, and remembered feeling as if he were shining from so much exposure to lightness. Later, they said goodbye to her on the stoop, Ricky went back inside, but Dez stayed and watched her walk to the car and pull away. And he thought—still shining— this is it.

A knocking on the door to which his eyes opened. It was light out; he could see it beyond the blinds.
“You up?” his mother cooed.
“Now.”
“Want coffee?”
“Please.”
His back hurt. The bed, it had been hard.

“Ricky still asleep?” he asked, now in the kitchen, sitting at the table.
“No. He left early, said he had to finish up.” She placed a mug in front of him.
“Without me?”
“Said he didn’t want to wake you,” she replied, pouring coffee into his mug from the glass carafe, the numbers of volume demarcation on it long worn away.
Dez stood, “I should go help him.”
“How you planning on getting there? Too far to walk.”
Her car had broken down the week before, he’d forgotten.
He sat back down.   
“What should I do?”
His mother looked at him for a while. “Drink your coffee. You’ll feel better.”
“Sure.”
She hugged him suddenly, moving faster than he thought she could to her knees beside him, throwing her arms around his and pressing her cheek to his shoulder, “Oh my little man,” she said.
“S’okay mom,” he replied, but was crying.

It was hard to look anywhere in the house—reminders of childhood, of how home had been before he and his brother moved out were on all the walls, all the shelves, the mantelpiece—a long-broken cup and pictures of both their 6th grade school photos—the bookshelves still holding their texts next to their mother’s cookbooks. It was all too much. But still he sat on the sofa and watched tv with his mom. All the while she kept looking at him and laughing, and he tried to smile for her.
“That’s funny, right?” she said.
“Yeah.”
She took his hand and patted it the way one might burp a small baby.   

...
Raymond Gaston lives in Venice, California. He has written three Novels: "It Started Out Silently," "The Bowling Club," and "The Way your Father Dies," as well as numerous short stories. He was the founding editor of "Lunch Ticket," recently presented his work at the Hawaii International Art and Humanities Conference, and is an invitee into the French Government's IHEAP fellowship program for boundary pushing art, in conjunction with the Paris Biennale--but he probably won't attend...